Jersey City Art

Meet Sue Works: Jersey City Mural Artist

Meet Sue Works: Jersey City Mural Artist

Jersey City’s mural walls double as a living record of the artists who have shaped the city’s streetscapes. Within that record, the Jersey City Mural Arts Program (JCMAP) officially credits Sue Works as the artist behind Train and Indian v.2. On JCMAP’s mural map, this work appears in the Archived section and is associated with the program’s 2022 mural listings, placing Sue Works firmly within the documented history of Jersey City’s public art. Image: Sue Works.jpg.

The listing for Train and Indian v.2 sits alongside hundreds of other projects in JCMAP’s database, each one marking a moment when a wall became a site for shared visual culture. Its status as an Archived mural, tied to 2022, signals that it belongs to a specific chapter in that evolving story. Public art is inherently changeable: murals can fade, be painted over, or make way for new commissions. By maintaining a digital record that names Sue Works as the artist, JCMAP preserves the fact of this contribution even if the work itself is no longer visible on the street.

According to JCMAP’s official About Us page and homepage, the program is built around collaboration. It connects local, national, and international artists with property owners, developers, community groups, and schools to create murals that revitalize public spaces across Jersey City. In doing so, JCMAP celebrates the city’s diversity, fosters artistic expression, strengthens community connections, and inspires civic pride. The documented attribution of Train and Indian v.2 to Sue Works places the artist within this broader framework of partnerships and community-centered projects.

JCMAP’s map-driven archive turns Jersey City into an open, navigable gallery. Through its searchable mural listings, visitors can trace how artworks like Train and Indian v.2 relate to other projects across neighborhoods and years, building a sense of how different artists collectively shape the city’s visual identity. Within that context, the credit to Sue Works is significant precisely because it is specific, verifiable, and preserved within an official civic resource.

For readers discovering Jersey City’s creative community through Jersey City Art, Sue Works’s appearance in JCMAP’s archive is an invitation to look more closely at how documentation supports recognition. Even without additional public information about biography, style, or materials, the confirmed listing for Train and Indian v.2 underscores that Sue Works has contributed to the city’s mural landscape through JCMAP’s mission-driven network of artists and community partners.

We encourage visitors to explore JCMAP’s resources directly, using the mural map as a guide to Jersey City’s evolving public art story and as a starting point for deeper engagement with the artists who appear there. As new projects are documented and more information becomes available, works like Train and Indian v.2 help anchor the timeline of how Jersey City’s walls continue to reflect the city’s creative energy.

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